Kirjallisuus ja muu materiaali:
Cleaning retouching and coatings technology and practice for easel paintings and polychrome sculpture, London : International Institute for Conservation, 1990.
The materials and methods of sculpture ; Jack C. Rich, 1974.
Polychrome sculpture / sculpture polychrome : ICOM congress, Washington 1993 : preprint / Working group 5, Washington 1993.
Painted Wood: History and Conservation / Valerie Dorge, F. Carey Howlett (toim.), Getty Conservation Institute, 1994
Gothic painted altar frontals from the churhc of Tingelstad / Leif Einar Plahter ; Erling Skaug ; Unn Plahter, Oslo.
The Structural Conservation of Panel Paintings, Getty, 1995.
The limewood sculptors of Renaissance Germany / Michael Baxandall, New Haven : Yale University Press, 1990.
Holzskulptur und Altarschrein : Studien zu Form, Material und Technik : Mittelalterische Plastik in Schweden / Peter Tångeberg, München : D. W. Callwey, 1989
Mittelalterliche Holzskulpturen und Altarschreine in Schweden : Studien zu Form, Material und Technik / Peter Tångeberg, Stockholm : Kungliga Vitterhets historie och antikvitets Akademien, 1986.
Farbige Skulpturen : Bedeutung, Fassung, Restaurierung / Johannes Taubert, München : D. W. Callwey, 1983.
Holbein´s Ambassadors. Foister, S., Roy, A., Wyld, M., 1997
Opettajan antama materiaali
Wooden support, properties / identification
Basic reading
R. Bruce Hoadly, ‘Chemical and Physical Properties of Wood’, in: The Structural Conservation of
Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 2-20
P. Klein, ‘Biologische Grundlagen der Dendrochronologie und ihre Anwendungen’, in: Holz in der restauratorisch-denkmalpflegerischen Praxis, 2. Fortbildungsveranstaltung für Restauratoren,Niedersächsisches Landesverwaltungsamt -Institut für Denkmalpflege-, 11 März, Hannover,1995
P. Klein, ‘Dendrochronological Analyses of Panel Paintings’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 39-54
Robert A. Blanchette, ‘A Guide to Wood Deterioration Caused by Microorganisms and Insects’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe),Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The GettyConservation Institute 1998, pp. 55-68
Further reading reference
R. Bruce Hoadly, ‘Identification of Wood in Painting Panels’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 21-38
Art technology: Early Italian panels
Basic reading
Reclams Handbuch der künstlerischen Techniken, Teil I, ’Farbmittel, Buchmalerei, Tafel- und Leinwandmalerei’, Stuttgart 1984, delen over Vroege Italiaanse schilderkunst
Cat.tent. Art in the Making: Italian Painting before 1400, National Gallery London 1989
J. Dunkerton, J. Kirby, R. White, ‘Varnish and early Italian paintings’, in: Cleaning, Retouching and Coatings, Preprints IIC Congress, Brussels, 1990, pp. 63-69
B. Federspiel, ‘Questions about Medieval Gessogrounds’, in: Historical Painting Techniques, Materials and Studio Practice, Leiden 1995, pp. 58-64
E. Reinkowski-Häfner, ‘Tempera. Zur Geschichte eines maltechnischen Begriffs’, Zeitschrift für Kunsttechnologie und Konservierung, Heft 2 (1994), pp. 297-317
A. Phenix, ‘The composition and chemistry of eggs and egg tempera’, in: Early Italian Paintings,Techniques and Analysis, Symposium Limburg Conservation Institute, Maastricht 9 - 10 October 1996, pp.11-20
J. Dunkerton, ‘Modifications to traditional egg tempera techniques in fifteenth-century Italy’, in: Early Italian Paintings,Techniques and Analysis, Symposium Limburg Conservation Institute, Maastricht 9 - 10 October 1996, pp. 29-34
J. Kirby, D. Saunders and J. Cupitt, ‘Colorants and colour change’, in: Early Italian Paintings, Techniques and Analysis, Symposium Limburg Conservation Institute, Maastricht 9 - 10 October 1996, pp. 65-72
A. Wallert, ‘Pigments and organic colorants: Two case studies’, in: Early Italian Paintings,Techniques and Analysis, Symposium Limburg Conservation Institute, Maastricht 9 - 10 October 1996, pp. 73-78
Luca Uzielli, ‘Historical Overview of Panel-Making Techniques in Central Italy’, in: : The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 110-135
Further reading reference
Cennino d’Andrea Cennini, The Craftsman’s Handbook. Il Libro dell’Arte, transl. D. V. Thompson, Yale, 1933, repr. New York, 1960
D.V. Thompson, The Materials of Medieval Painting, (repr.) New York 1956
D.V. Thompson, The Practice of Tempera Painting. Materials and Methods, (repr.) New York 1962
N. Cämmerer-George, Die Rahmung der toskanischen Altarbilder, Straatsburg 1966
V.W. Egbert, The Medieval Artist at Work, Princeton 1967
E. Berger, Quellen für Maltechnik während der Renaissance und deren Folgezeit, Münich, 1901; reprint, 1973
K. Nicolaus, ‘Untersuchungen zur italienischen Tafelmalerei des 14./15. Jahrhunderts’, Maltechnik/ Restauro, 2,4 (1973)
The Florentine paintings in Holland, 1300-1500, ed. H.W. van Os, Marian Prakken, Maarssen 1974
The early Venetian paintings in Holland, ed. H.W. van Os, J.R.J. van Asperen de Boer, C.E. de Jong-Janssen, C. Wiethoff, Maarssen 1978
Theophilus, On Divers Arts. The Foremost Medieval Treatise on Painting, Glassmaking and Metalwork, transl. J. G. Hawthorne and C. S. Smith, New York, 1979
A. Smith e.a, ‘Francesco del Cossa’s “S. Vincent Ferrer”’, National Gallery Technical Bulletin, 5 (1981), pp. 45-57
U. Baldini, Das Cimabue Krucifix, München 1982
J. Dunkerton e.a, ‘The unmasking of Tura’s “Allegorical Figure”: A Painting and its Concealed Image’,National Gallery Technical Bulletin, 11 (1987), pp. 5-35
The early Sienese paintings in Holland, ed. H.W. van Os, J.R.J. van Asperen de Boer, C.E. de Jong-Janssen, C. Wiethoff, Florence 1989
J. Dunkerton e.a., Giotto to Dürer. Early Renaissance Painting in the National Gallery, Londen 1991
P. Binski, Medieval Craftsmen. Painters, Londen 1991
E. Martin, N. Sonoda en A. R. Duval, ‘Contribution a l’étude des preparations blanches des tableaux italiens sur bois’, Studies in Conservation, 37 (1992), pp. 82-92
J. Dunkerton and A. Roy, ‘The Materials of a Group of Late Fifteenth-century Florentine Panel Paintings’ National Gallery Technical Bulletin, 17 (1996), pp.20-31
Early Italian Paintings,Techniques and Analysis, Symposium Limburg Conservation Institute,Maastricht 9 - 10 October 1996, pp.29-34
Case-studies in The National Gallery Technical Bulletin, Londen.
Art technology: North – European panel paintings(oil painting): 15th – 16th century
Basic reading
J. Taubert, ‘Beobachtungen zum schöpferischen Arbeitsprozess bei einigen altniederländischen Malern’, Nederlands Kunsthistorisch Jaarboek, 26 (1975), Bussum 1976, pp. 41-71
H. von Sonnenburg, ‘Rubens Bildaufbau und Technik. I, Bildtrager, Grundierung und Vorskizzierung’, in Maltechnik / Restauro, 2 (1979), pp. 77-100
M. Koller, ‘Das Staffeleibild der Neuzeit’, in: Reclams Handbuch der Kunstlerischen Techniken, Band I, Stuttgart, 1981, pp. 261-434
C. Perier-D’Ieteren, ‘Dessin au poncif et dessin perforé. Leur utilisation dans les anciens Pays-Bas au XVe siècle’, Bulletin I.R.P.A. Brussel, XIX (1982-1983), pp. 74-94
M. Faries, ‘Some remarks on the inter-relationships between underdrawings, drawings and prints’, in:
Dessin sous-jacent et autres techniques graphiques, (ed. R. Van Schoute, D. Hollanders-Favart) [Le dessin sous-jacent dans la peinture, Colloque V), Louvain-la-neuve 1985, pp. 144-158
E. van de Wetering, Studies in the Workshop practice of the Early Rembrandt, Amsterdam, 1986: gedeelte over panelen
R.E. Straub, ‘Tafel und Tüchleinmalerei des Mittelalters’, in Reclams Handbuch der kunstlerischen Techniken, Band I, Stuttgart 1988 (2de druk), pp.125-259
P. Brinkman, ‘Jan van Eyck als de “uitvinder” van de olieverf’, Kunstenaars Materialen, 4 (1992), pp.11-13
L. Campbell, S. Foister and A. Roy (ed.), ‘ Early Northern European Paintings’, National Gallery Technical Bulletin, 18 (1997)
J. Wadum, ‘Historical Overview of Panel-Making Techniques in the Northern Countries’, in: : The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 149-177
Further reading reference
Support
H. Floerke, Studien zur niederländischen Kunst- und Kulturgeschichte. Die Formen des Kunsthandels, das Atelier und die Sammler in den Niederlanden vom 15.-18. Jahrhundert; München 1905
G. Gepts, ‘Tafereelmaker Michiel Vriendt, leverancier van Rubens’, Jaarboek voor het Koninklijk Museum voor Schone Kunsten, Antwerpen 1954-60, pp. 83-87
R. Marijnissen, M. Sawko Michalski, ‘De twee gotische retabels van Geel. Een onderzoek van materiële feiten’, Bulletin van het Koninklijk Instituut voor het Kunstpatrimonium, Tome III (1960), pp. 143-162
J. Marette, Connaissance des Primitifs par l’étude du bois du XIIe au XVIe siècles, Paris, 1961
H. Huth, Künstler und Werkstatt der Spätgotik, Darmstadt 1967.
H. von Sonnenburg, Frank Preußer, ‘Rubens: Gesammelte Aufsätze zur Technik’, Bayerische Staatsgemäldesammlungen München, Mitteilungen , 3 (1979) (Sdr. aus Maltechnik/Restauro 2 & 3/1979)
H. Verougstraete-Marcq, M. Smeyers, R. van Schoute, ‘Usages relatifs aux volets de triptyques flamands au XVIe siècle’, Archivum Artis Lovaniense, Leuven 1981, pp. 307-317
J. Wadum, ‘The Winter Room at Rosenborg Castel: A Unique Survical of Antwerp Mass-Production’, Apollo, CXXVIII, no. 318 (1988), pp. 82-87
M. Schuster-Gawïowska, ‘Remarques du restaurateur sur les remarques apposées sur les supports de bois des tableaux flamands’, Journees sur le Conservation Restaurations des biens culturels, Traitement des supports; traveaux interdisciplinaires, Paris, 1989, pp. 49-55
M. Schuster-Gawïowska, ‘Marques de corporations, poinçons d’ateliers et autres marques apposées sur les supports de bois des tableaux et des retables sculptées flamands. Essai de documentation à partir des collections polonaises’, Jaarboek voor het Koninklijke Museum voor Schone Kunsten, Antwerpen 1989, pp. xx-xx
H.J. de Smedt, ‘Merktekens op enkele Antwerpse retabels’, Merken Opmerken/Typologie en Methode, Leuven 1990, pp. 145-183
H. Verougstraete-Marcq, R. van Schoute, ‘Marques des menuisiers de Bruxelles sur les cadres de peintures aux XVe et XVIe siècles’, Merken Opmerken/Typologie en Methode, Leuven 1990, pp. 185-191
J. Wadum, ‘17th c. Flemish Panel Makers’ Red Chalk Master Marks’, ICOM-CC, Preprints, 9thTriennial Meeting Dresden, vol. II, Los Angeles 1990, pp. 663-666
Painting technique and materials
P. Colman, ‘Les Panneaux Pré-Eyckiens de Walcourt’, Bulletin I.R.P.A Brussel, III (1960), pp.35-55
P. Coremans, ‘L’Agneau Mystique au Laboratoire. Examen et Traitement’, Les Primitifs flamands III. Contribution a l’etude des primitifs flamands, Antwerp, 1963
J. Taubert, ‘Pauspunkte in Tafelbildern des 15. und 16. Jahrhunderts’, Bulletin I.R.P.A. Brussel, XV (1975), pp. 387-401
N. Goetghebeur, e.a. ‘La châsse peinte Pré-Eyckienne de Namur. Essay d’identification, examen et traitement’, Bulletin I.R.P.A Brussel, XVI, 1976-7, pp.7-20
J.R.J. van Asperen de Boer, M. Faries, ‘Research during the Jan van Scorel in Utrecht exhibition:a report’, Simiolus, 9 (1977), pp. 169-182
J. R. J. Van Asperen de Boer, ‘A Scientific Re-examination of the Ghent Altarpiece’, Oud-Holland, XCIII (1979), pp. 141-215
J. Filedt-Kok, ‘Underdrawing and other technical aspects in the paintings of Lucas van Leyden’,,Nederlands Kunsthistorisch Jaarboek, 29 (1978), Haarlem 1979, pp. 1-184
J. Folie, M. Steuve-De Poerck, ‘“La dernière halte du Christ de l’Eglise Sainte-Waudru à Herentals”, un exemple de collaboration entre Martin van Heemskerck et du peintre de son atelier’, Bulleting I.R.P.A. Brussel, XVIII (1980), pp. 97-118
J. Plesters, ‘“Samson and Delilah: Rubens and the Art and Craft of Painting on Panel”’, National Gallery Technical Bulletin, 7 (1983), pp. 30-49
C. Perier-d’Ieteren, Colyn de Coter et la technique picturale des peintres flamands du XVe siecle,Brussels 1985
B. Federspiel, Observations on some Technical Innovations in 16th century Netherlandish Paintings, (Konservator Afgangsopgave, Konservatorskolen Det Kongelige Danske Kunstakademi), Copenhagen, 1985
M. Faries, ‘Some remarks on the inter-relationships between underdrawings, drawings and prints’, in:Dessin sous-jacent et autres techniques graphiques, (ed. R. Van Schoute, D. Hollanders-Favart) [Le dessin sous-jacent dans la peinture, Colloque V), Louvain-la-neuve 1985, pp. 144-158
D. Bomford e.a, ‘The technique of Dieric Bouts: Two Paintings Contrasted’, National Gallery Technical Bulletin, 10 (1986), pp.39-57
H. Verrougstraeten-Marcq and R. van Schoute, Cadres et supports dans la peinture flamande aux 15e et 16e siècles, Heure-le-Romain, 1989
L.F. Jacobs, ‘The Marketing and Standardization of South Netherlandisch Carved Altarpieces: Limits on the Role of the Patron’, The Art Bulletin, LXXI, no. 2 (1989), p. 208-229.
M.W. Ainsworth, ‘Northern Renaissance Drawings and Underdrawings: A Proposed Method of Study’, Master Drawings, 27 (1989), pp. 5-38
J. Wadum, ‘17th c. Flemish Panel Makers’ Red Chalk Master Marks’, ICOM-CC, Preprints, 9th Triennial Meeting Dresden, vol. II, Los Angeles 1990, pp. 663-666
C. Perier-d’Ieteren, ‘Les retables Brabançons aux XVe et XVIe siècles examen technologique et son interpretation en histoire de l’art’, Journees sur la Conservation Restauration des biens culturels, Traitement des supports; traveaux interdisciplinaires, Paris 1989, p. 23-28.
J. Dunkerton, Giotto to Dürer. Early Renaissance Painting in the National Gallery, London / New Haven, 1991
E. Hendriks, K. Levy-van Halm, ‘Technical Developments in a 16th-Century Netherlandish Altarpiece by Maarten van Heemskerck and Cornelis Cornelisz. van Haarlem, Prepints ICOM, 1993, Vol I, pp. 75-81
R. Keller, ‘Aspects of Painting Technique in the use of Verdigris and Copper Resinate’, in: Historical Painting Techniques, Materials, and Studio Practice,(ed. Arie Wallert, Erma Hermens, Marja Peek) preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June,1995, pp. 65-70
J. Dunkerton, Giotto to Dürer. Early Renaissance Painting in the National Gallery, London / New
J. Lynn, ‘Two Thirteenth Century Panels from the Painted Chamber, Westminster Palace. A Discussion of the Materials and Techniques’ Zeitschrift für Kunsttechnologie und Konservierung, 1 (1997), pp. 6-14 Haven, 1991
C. Ringer, ‘Vom Bodenbrett zum Tafelbild der Aschaffenburger Fund eines spätromanischen Gemäldes. Gedanken zum Umgang mit historischen Zeugnissen’ Zeitschrift für Kunsttechnologie und Konservierung, 1 (1997), pp. 5-14
B. Heimberg, ‘Zur Maltechnik Albrecht Dürers’, Albrecht Dürer. Die Gemälde der Alten Pinakothek , München, 1998, 32-53
Gemälde auf Holz und Metall, Restauratorenblätter Band 19, Herausgegeben von der Österreichischer Sektion des IIC (ed. Manfred Koller, Rainer Prandtstetten), Wien 1999
Structural treatment of panel paintings
Basic reading
V. Schaible, ‘Die Gemäldeübertragung; Studien zur Geschichte einer “klassischen Restauriermethode”’, Maltechnik/Restauro, 2 (1983), pp. 96-129
B. Bünnsche, ‘Schäden der Grundier-und Farbschicht an Holztafelbildern. Die Struktur des hölzenen Tragers als Ursache’, Restauro, 4 (1993), pp.246-249
Ian McClure, ‘The Framing of Wooden Panels’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 433-447
A. Brewer, ‘Effects of batten reinforcements on paintings on wood panel’, in: Bridgeland, J., ed.,Preprints of the 12th Triennial Meeting ICOM Committee for Conservation, I, International Council of Museums, Lyon 1999, pp. 276-282
Further reading reference
R. Buck, The Behaviour of Wood and the Treatment of Panel Paintings, Upper Midwest Cons. Assoc., Minnesota s.d.
A. Lucas, ‘The Transfer of Easel Paintings’, in: Recent Advances in Conservation (ed. G. Thompson),London 1963, pp. 165-168
M. Koller, ‘Gemäldeübertragung - um jeden Preis?’, Maltechnik / Restauro, (1971) p. 94
Traitement des Supports Traveaux Interdisciplinaires, A.R.A.A.F.U., Paris, 2-4 novembre 1989
A. Brewer, ‘An auxiliary support case history’, Hamilton Kerr Institute Bulletin, 2 (1994), pp. 61-68
A. Brewer, ‘Aluminium devices as temporary helpers for panel structural work’, Hamilton Kerr Institute Bulletin, 2 (1994), pp. 74-77
A. Schwarz, D. Gadesmann, ‘Holzfeuchtemessungen an Tafelgemälden’, Restauro, 4 (1994), pp.256-260
K. Dreiner, P. Klein and I Zillich, ‘Investigation into the Deformations of Panel Paintings’ in ICOM-CC preprints, 11th Triennial Meeting, Edinburgh, 1-6 September 1996, vol.1, pp.268-270
A. Brewer and C. Forno, ‘Moiré fringe analysis of cradled panel paintings’, Studies in Conservation,42 (1997), pp. 211-231
Gordon Hanlon, Vinod Daniel, ‘Modified Atmosphere Treatments of Insect Infestation’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe),
Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 69-78
Donald C. Williams, ‘A Survey of Adhesives for Wood Conservation’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 79-87
Arno P. Schniewind, ‘Consolidation of Wooden Panels’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 87-107
Andrea Rothe, ‘Critical History of Panel Painting Restoration in Italy’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 188-199
Ulrich Schiessl, ‘History of Structural Panel Painting Restoration in Austria, Germany and Switzerland’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 200-236
Ian McClure, ‘History of Structural Conservation of Panel Paintings in Great Britain’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute1998, pp. 237-251
Jacqueline Bret, Daniel Jaunard, Patrick Mandron, ‘The Conservation-Restoration of Wooden Painting Supports: Evolution of Methods and Current Research in the Service de Restauration des Musées de France’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp.252-263
Ségolène Bergeon, Gilbert Emile-Mâle, Claude Huot, Odile Baÿ, ‘The Restoration of Wooden Painting Supports: Two Hundred Years of History in France’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 264-288
Andrea Rothe, Giovanni Marussich, ‘Florentine Structural Stabilization Techniques’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute1998, pp. 306-315
Ciro Castelli, ‘The Restoration of Panel Painting Supports: Some Case Histories’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute1998, pp. 316-340
Frédérique J.M. Lebas, ‘The Cradling of a Relief of the Annunciation Attributed to Martin Schaffner’, in: The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 359-363
Anthony M. Reeve, ‘Structural Conservation of Panel Paintings at the National Gallery, London’, in:The Structural Conservation of Panel Paintings, (ed. Kathleen Dardes and Andrea Rothe), Proceedings of a Symposium at the J. Paul Getty Museum, 24-28 April 1995, The Getty Conservation Institute 1998, pp. 403-417
